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- Year: 2002
- Film Format: 35mm
- Origin: Iran / France
- Aspect Ratio: 1.66:1
- Runtime: 94 mins
- Sound Format: DTS
- Language: Farsi
- Subtitles: English
Celebrated Iranian writer-director Abbas Kiarostami (TASTE OF CHERRY, CLOSE-UP) once again casts his masterful cinematic gaze upon the modern sociopolitical landscape of his homeland, this time as seen through the eyes of one woman as she drives through the streets of Tehran over a period of several days. Her journey is comprised of ten conversations with various female passengers, including her sister, a hitchhiking prostitute and a jilted bride, as well as her imperious young son. As Kiarostami's 'dashboard cam' eavesdrops on these lively, heart-wrenching road trips, a complex portrait of contemporary Iran comes sharply into focus. Calling it a 'work of inspired simplicity,' A.O. Scott in The New York Times wrote that Kiarostami, "in addition to being perhaps the most internationally admired Iranian filmmaker of the past decade, is also among the world masters of automotive cinema...He understands the automobile as a place of reflection, observation and, above all, talk."
Official Selection of the 2002 NEW YORK FILM FESTIVAL
The DVD of TEN also contains Kiarostami's 2004 documentary 10 on TEN (83 mins).
In 2016 TEN was voted one of the 100 Greatest Films of the 21st Century.
THIS FILM IS NO LONGER AVAILABLE FROM ZEITGEIST FILMS.
One of the true masters of contemporary cinema, Iranian filmmaker Abbas Kiarostami has won not only the admiration of audiences and critics worldwide, but also the support of directors as distinguished as Jean-Luc Godard, Nanni Moretti (who made a short film about opening one of Kiarostami's films in his theater in Rome), Chris Marker, and Akira Kurosawa, who said of Kiarostami's "extraordinary" films: "Words cannot describe my feelings about them and I simply advise you to see his films... When Satyajit Ray passed on, I was very depressed. But after seeing Kiarostami's films, I thanked God for giving us just the right person to take his place."
Though Kiarostami emerged in the West as a major filmmaker in the early '90s—with films like CLOSE-UP and THROUGH THE OLIVE TREES—he had already been making films in Iran for two decades. Born on June 22nd 1940 in Tehran, Kiarostami was interested in the arts from an early age. He won a painting competition at the age of eighteen, and left home to study at Tehran University's Faculty of Fine Arts. As a designer and illustrator, Kiarostami worked throughout the '60s in advertising, making commercials, designing posters, creating credit titles for films (including Gheyshar by M. Kimiai), and illustrating children's books.
In 1969—the year that saw the birth of the Iranian New Wave with Dariush Mehrjui's seminal film The COW—Kiarostami helped to set up a filmmaking department at the Institute for Intellectual Development of Children and Young Adults. The department's debut production was Kiarostami's own first film, the twelve-minute BREAD AND ALLEY, a charming, neo-realist gem about a small boy's perilous walk home from school. The department would go on to become one of Iran's most famous film studios, producing not only Kiarostami's films, but also such modern Iranian classics as THE RUNNER and BASHU, THE LITTLE STRANGER.
Though Kiarostami's films have been compared at various times to those of Satyajit Ray, Vittorio de Sica, Eric Rohmer, or Jacques Tati, they remain uniquely Kiarostamian. Effortlessly simple and conceptually complex in equal measure; poetic, lyrical, meditative, self-reflexive and increasingly sophisticated, they mix fiction and documentary in unique ways, often presenting fact as fiction and fiction as fact. (Kiarostami has said "We can never get close to the truth except through lying.")
In the 28 years since BREAD AND ALLEY, Kiarostami has made more than 20 films, including fiction features, educational shorts, feature-length documentaries, and a series of films for television. He has also written screenplays for other directors, most notably The WHITE BALLOON, for his former assistant Jafar Panahi.
But it was not until the late '80s that his films began to be shown outside Iran. AND LIFE GOES ON (1992)—the first of Kiarostami's films to be shown at the New York Film Festival—and THROUGH THE OLIVE TREES (1994), the last two parts of what has become known as the Earthquake Trilogy (started with WHERE IS THE FRIEND'S HOME? in 1987) were the films that made Kiarostami's reputation in the West. In 1996 he was honored with a retrospective at the Film Society of Lincoln Center, New York, and in 1997 he came to the Cannes Film Festival at the eleventh hour with TASTE OF CHERRY, only to walk away with the grand prize, becoming the first Iranian director ever to win the Palme d'Or.
In 1999 Kiarostami won the Special Jury Prize for THE WIND WILL CARRY US and in 2000, at the request of the United Nations' International Fund for Agricultural Development, he travelled to Uganda to make the documentary ABC Africa, his first film shot on digital video. In 2002 he premiered his newest film, TEN, at Cannes.
Kiarostami is also a noted photographer and poet. A bilingual collection of more than 200 of his poems "Walking with the Wind" was recently published by Harvard University Press.
1970 Bread and Alley (12 mins)
1972 Breaktime (17 mins)
1973 The Experience (60 mins)
1974 THE TRAVELLER (74 mins)
1975 Two Solutions for One Problem (5 mins)
1975 So Can I (4 mins)
1976 The Colors (15 mins)
1976 The Wedding Suit (54 mins)
1977 THE REPORT (112 mins)
1977 Tribute to the Teachers (30 mins)
1978 Solution (11 mins)
1978 Jahan Nama Palace (30 mins)
1979 Case No.1, Case No.2 (53 mins)
1980 Toothache (23 mins)
1981 Regularly or Irregularly (15 mins)
1982 The Chorus (17 mins)
1983 Fellow Citizen (52 mins)
1984 FIRST GRADERS (84 mins)
1987 WHERE IS THE FRIEND'S HOME? (87 mins)
1989 HOMEWORK (85 mins)
1990 CLOSE-UP (100 mins)
1992 AND LIFE GOES ON (91 mins)
1994 THROUGH THE OLIVE TREES (103 mins)
1995 Lumiere and Company (1 min)
1997 TASTE OF CHERRY (95 mins)
1999 THE WIND WILL CARRY US (118 mins)
2001 ABC AFRICA (84 mins)
2002 TEN (94 mins)
2003 FIVE (74 mins)
2004 10 on TEN (88 mins)
2008 SHIRIN (90 mins)
2010 CERTIFIED COPY (106 mins)
2012 LIKE SOMEONE IN LOVE (109 mins)
Kiarostami also wrote the screenplays for THE KEY (directed by Ebrahim Forouzesh, 1987), THE JOURNEY (Ali-Reza Raissian, 1995), THE WHITE BALLOON (Jafar Panahi, 1995) and CRIMSON GOLD (Jafar Panahi, 2003)
Amin Maher as Amin (the son)
Directed by Abbas Kiarostami
The music over the closing credits is ?Walking in the air? by Howard Blake
© Chester Music Limited represented by Premiere Music Group
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