ABOUT THE FILMMAKERS

Pearl Gluck | director / writer / producer
Ten years after leaving her native Borough Park, Brooklyn, Pearl Gluck received a Fulbright grant to collect oral histories from Yiddish speakers in areas of Hungary once home to thriving Hasidic communities. At heart, she is a zamler, Yiddish for collector, an ethnographer.

Divan is a Hasidic tale five years in the making and is her debut feature documentary, developed with the assistance of the Sundance Institute. Although she broke from her past, Gluck continues to draw from her rich Hasidic heritage and through her current work seeks to provide both a bridge to the past and a form of cross-communal dialogue through the arts. She was the first to receive a Yiddish Fulbright to Hungary and her work was created with the support of foundations such as New York State Council on the Arts, Eva Eastman Fund, and the National Foundation for Jewish Culture.

Gluck's video art includes Trance with sound artist Basya Schechter for the Eldridge Street Project in NYC, opening April 30, 2003, and a multimedia installation in Weimar, Germany for backup.loungelab 2002.

She co-directed the award-winning short, Great Balls of Fire (6 mins; 2001) which is a homeless man's response to September 11. The short continues to screen worldwide at venues such as Transmediale, Oberhausen, Walker Center for the Arts, New York Video Festival, and in competition at the Globalica 10th International Media Art Biennale in Wroclaw, Poland.

Gluck has spearheaded community arts programs, curated literary and film events from Hungary to Israel to New York City, and has just returned from a February artist residency at the Paideia Institute in Stockholm. As part of her ongoing commitment to educational outreach, she has appeared on numerous college and university campuses, and acted as writer/mentor at the MacArthur-granted program, The Harlem Writers Crew.

Her first involvement with documentary film was in A Life Apart: Hasidism in America (1998; Oren Rudavsky and Menachem Daum). Her appearance in the film has encouraged grass-roots organization for an ex-Orthodox creative alliance. As one reviewer of The Boston Globe wrote, "Gluck deserves a documentary of her own."

Zelda Greenstein | editor
Zelda Greenstein has been nominated for a Cable Ace for writing and editing on Before You Go (HBO, 1995). In addition to working on Divan, she edited 90 Miles (directed/produced by Juan Carlos Zaldovar) Women of the Wall (directed/produced by Faye Lederman). Her work includes Enemy of the People (1998; Director/Producer; Zareh Tueknavorian), An American Love Story (1999; Director/Producer, Jennifer Fox) and The Quiet Revolution in Honduras (1992). Her early work included assistant editing on Partisans of Vilna (1987). Greenstein is currently editing the ITVS supported documentary by Oren Rudafsky and Menachem Daum.

William T. Smith | director of photography
A graduate of the UCLA School of Cinema, Smith's first feature documentary, The Third Mind, on The Door's keyboardist Ray Manzarek and beat poet Michael McClure, had it's international premiere at the 1996 Venice Film Festival in Italy, its US Premiere at the L.A. County Museum of Art, and was broadcast on the Sundance Channel in November, 1997. In addition to directing the photography of Divan, Smith is currently producing and directing a documentary on the progressive Summerhill School in the U.K., founded by A.S. Neill in 1921. Under the tutelage of award-winning Hungarian director, Gyula Gazdag, Smith was camera operator on the documentary about Allen Ginsberg, A Poet on the Lower East Side. Smith is a UCLA graduate from the filmmaking program on a Lew Wasserman Fellowship and a Jack Sauter Award for excellence in video journalism. He received the Motion Picture Arts & Sciences Award for filmmaking achievement and was an Eastman Kodak scholarship finalist. He currently teaches at the New York Film Academy.

Susan Korda | co-writer
Susan Korda has worked as a writer, director and editor on documentary and narrative films, including The Sweetest Sound (2002), Trembling Before G-d (2001), One of Us (1999), Vienna is Different (1989) and the Academy Award nominated For All Mankind (1989). She was born in New York and raised in New York and Vienna, Austria. Between 1979 and 1984 she studied at the City College of New York/Picker Film Institute. She made her first film, Filial Dreams, in 1983. Since then she has been working as a director and editor and been teaching at NYU's Tisch School of the Arts and the International Filmschule, Cologne.

Andras Suranyi | associate producer
Andras Suranyi is a board member of MaFilm Studio and teaches film at the Academy of Theater and Film, Budapest, and at ELTE University. He was an associate producing on Jacob the Liar (directed by Peter Kassowitz). His award-winning work, Fenykepek (Photographs for My Children; 1989) was screened in Jerusalem, New York, Edinburgh, and San Francisco. In 1992 he co-directed Midon A Ver (Then the Blood: Blood Libels after the Holocaust) with Sandor Simo, and Edit Koszegi, a controversial film expose on the blood libels/pogroms of 1946 in Hungary. The film showed in Berlin, Jerusalem, and Oberhausen. He is a recipient of the Fulbright Scholarship for Media Research (1991), a grant from the New York Actor's Studio and Visiting Professor at SUNY, New York.

Frank London | composer
Trumpeter/ keyboardist Frank London is a member of the Klezmatics and the Hasidic New Wave and co-founder of Les Miserables Brass Band and the Klezmer Conservatory Band. His compositions for film, theater and dance include Yoshiko Chuma's How Loud Could It Be, Sharon Pollack's Everything Relative, Yvonne Rainer's Murder, Bruno de Almeida's The Debt (prize winner, Cannes Film Festival, 1993), John Sayles's Hombres Armados and The Brother from Another Planet, Tamar Rogoff's Ivye Project, and Chelm, California with Flying Karamozov Brother Paul Magid. London scored the Czech-American Marionette Theater's production of The Golem, Great Small Work's The Memoirs of Gluckel of Hameln, and the Public Theater's production of Tony Kushner's A Dybbuk. His latest projects are an opera/song cycle A Night in the Old Marketplace, and Davenen, a commission for the Pilobus Dance Company featuring the Klezmatics. As a trumpeter, he has performed with John Zorn, LL Cool J, Mel Torme, They Might Be Giants, David Byrne, Jane Siberry, Itzhak Perlman, Ben Folds 5, Mark Ribot, and Gal Costa. London has been featured on HBO's Sex and the City, the North Sea Jazz Festival and the Lincoln Center Summer Festival and over 100 CDs. His own recordings include Nigunim and Zemiros with Klezmatics' singer Lorin Sklamberg; Frank London's Klezmer Brass Allstar's Dishikere Kapelye (winner of the Deutsche Preis der Schallplatenkritik); Invocations; The Debt; Shekhina; the soundtrack CD for the film The Shvitz; as well as five CDs with the Hasidic New Wave and seven with the Klezmatics.

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© 2004 Zeitgeist Films Ltd.