The Short Films of the Quay Brothers

Director: Quay Brothers

Film Info

  • Year: 1979-2003
  • Origin: UK
  • Color and B&W

Two of the world’s most original filmmakers, identical twins Stephen and Timothy Quay have been making their unique blend of puppetry and stop-motion animation for nearly 30 years and have spawned an enormous cult following. The Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable.

Best known for their classic 1986 film STREET OF CROCODILES, which filmmaker Terry Gilliam selected as one of the ten best animated films of all time, they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams.

The short films of the Quay Brothers are available to book individually, and are also available on a 2007 DVD collection. The 2015 Blu-ray collection is out of print.

Films available for booking are:

Nocturna Artificialia (1979) [not on the Blu-ray]
The Cabinet of Jan Svankmajer (1984)
The Epic of Gilgamesh (1985)
Street of Crocodiles (1986)
Rehearsals for Extinct Anatomies (1987)
Dramolet (Stille Nacht I) (1988)
The Comb (From the Museums of Sleep) (1991)
Anamorphosis (or De Artificiali Perspectiva) (1991)
Are We Still Married? (Stille Nacht II) (1991)
Tales from the Vienna Woods (Stille Nacht III) (1992)
Can’t Go Wrong Without You (Stille Nacht IV) (1993)
In Absentia (2000)
The Phantom Museum (2003)

(Please note that only the DVD collection is available for educational purchase)

Quay Brothers

“Masters above all of an unusually entrancing form of stop motion animation... Fraught with unresolved dreamlike narratives and psychosexual tensions, these works draw on the Surreal, the Gothic and the Victorian and also reflect the Quays’ deep attachment to the literature, graphic arts, animation and music of Eastern Europe, which they have cultivated since their art school days” – Roberta Smith, The New York Times. 

The extraordinary Quay Brothers are two of the world’s most original filmmakers. Identical twins who were born in Pennsylvania in 1947, Stephen and Timothy Quay studied illustration in Philadelphia before going on to the Royal College of Art in London, where they started to make animated shorts in the 1970s. They have lived in London ever since, making their unique and innovative films under the aegis of Koninck Studios.

Influenced by a tradition of Eastern European animation, the Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES, which filmmaker Terry Gilliam selected as one of the ten best animated films of all time, they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams. In 1994, with INSTITUTE BENJAMENTA, they made their first foray into live-action feature-length filmmaking.

The Quays have also directed pop promos for His Name is Alive, Michael Penn, Sparklehorse, 16 Horsepower, and Peter Gabriel (contributing to his celebrated “Sledgehammer” video), and have also directed ground-breaking commercials for, among others, MTV, Nikon, Murphy’s beer and Slurpee.

The Quays’ work also includes set design for theatre and opera. In 1998 their Tony-nominated set designs for Ionesco’s The Chairs won great acclaim on Broadway.

In 2000 they made IN ABSENTIA, an award-winning collaboration with Karlheinz Stockhausen, as well as two dance films, DUET and THE SANDMAN. In 2002 they contributed an animated dream sequence to Julie Taymor’s film FRIDA.

In 2003 the Quays made four short films in collaboration with composer Steve Martland for a live event at the Tate Modern in London and in 2005 premiered their second feature film, THE PIANO TUNER OF EARTHQUAKES, at the Locarno Film Festival.

In 2012 the Quay Brothers were honored with a career retrospective gallery exhibition at the Museum of Modern Art in New York.

“To enter the impossible, haunted night of a Quay Brothers film is to become complicit in one of the most perverse and obsessive acts of cinema.” – Michael Atkinson, Film Comment. 

“The twins work almost entirely by themselves: one positions the puppets, the other holds the camera. It would seem monkish if the results weren’t so often charming, sexy and just deeply odd.” – Jesse Doris, Time.

These astonishing artists, working in an unlikely form, awaken our senses. They combine a demiurgic, Caligari-like mastery over their creations with the gentle dream archeology of Joseph Cornell: their puppets look less like things invented than like things discovered.” – Terrence Rafferty, The New Yorker

NOCTURNA ARTIFICIALIA
1979, 21 minutes, color, 16mm
Music by Stefan Cichonski

THE CABINET OF JAN SVANKMAJER
1984, 14 minutes, color, 16mm
Music by Zdenek Liska

THIS UNNAMEABLE LITTLE BROOM
or THE EPIC OF GILGAMESH
1985, 11 minutes, color, 16mm
Music by R. Walter

STREET OF CROCODILES
1986, 21 minutes, color and b&w, 35mm
Music by Leszek Jankowski

REHEARSALS FOR EXTINCT ANATOMIES
1987, 14 minutes, b&w, 35mm
Music by Leszek Jankowski

STILLE NACHT I – DRAMOLET
1988, 1 minute, b&w, 35mm

THE COMB (FROM THE MUSEUMS OF SLEEP)
1990, 18 minutes, color and b&w, 35mm
Music by Leszek Jankowski

DE ARTIFICIALI PERSPECTIVA or ANAMORPHOSIS
1991, 15 minutes, color, 35mm
Music by Leszek Jankowski

STILLE NACHT II – ARE WE STILL MARRIED?
1992, 3 1/2 minutes, b&w, 35mm
Music by His Name is Alive

STILLE NACHT III – TALES FROM VIENNA WOODS
1993, 3 1/2 minutes, b&w, 35mm

STILLE NACHT IV – CAN’T GO WRONG WITHOUT YOU
1994, 3 1/2 minutes, b&w, 35mm
Music by His Name is Alive

IN ABSENTIA
2000, 20 minutes, b&w and color, 35mm
Music by Karlheinz Stockhausen

THE PHANTOM MUSEUM
2003, 12 minutes, b&w and color, Betacam
Music by Gary Tarn