“CRITICS’ PICK. Brilliant and gripping.” – Stephen Holden, The New York Times

“Shoot this film in black and white and cast Barbara Stanwyck as Elena, and you'd have a 1940s classic!” – Roger Ebert, Chicago Sun Times

“Spellbinding and impeccably crafted.... Performances are superb across the board, framed in elegant widescreen compositions that simmer with violence.” – Sheri Linden, Los Angeles Times

“Nicely noirish, cynically satisfying.” – Michael O'Sullivan, Washington Post

“A thing of severe and chilly beauty, directed by the prodigiously talented Andrei Zvyagintsev. A remarkable work!” – Ty Burr, The Boston Globe

“Along with Zvyagintsev's assured direction, the performances are what make "Elena" so remarkable.” – Bill Goodykoontz, Arizona Republic

“PICK OF THE WEEK! Mesmerizing! A mysterious existential thriller that’s brilliantly acted and masterfully directed, without a second of wasted screen time.” – Andrew O’Hehir, Salon

“Grounded in classic elements of film noir but lensed with a stillness that becomes paradoxically nerve-rattling...a thriller about the shifting moral calculus in a world where money changes everything.” – Steve Dollar, The Wall Street Journal

“Stunning...An outstanding Russian drama of fractured families, money and quiet desperation.” – Neil Young, The Hollywood Reporter

“A wise and impeccably controlled drama that finds Russian helmer Andrei Zvyagintsev in outstanding form.... Zvyagintsev spins a taut, engrossing yarn about a coveted inheritance, cruel class differences and quietly monstrous misdeeds.” – Justin Chang, Variety

“An intensely compelling slice of noir about moral rot and class warfare in post-Soviet Russia....A bone-deep existential unease and spiritual alienation, a preoccupation with sin that is at once quintessentially Russian and wholly archaic..... [Zvyagintsev’s] vision of eternal human frailty is inescapably tragic and religious — and brutally unforgiving.” – Ella Taylor, NPR

“Devastating! I can't recommend it highly enough...a distressingly universal tale of haves and have-nots, not to mention an apt reminder that morality and ethics can be slippery propositions when other interests drive us.” – Tim Greirson, IFC.com

“Pulses with tremendous tension! An austere Russian drama with shades of Hitchcock.” – Scott Tobias, The AV Club

“As the film unfolds, we get so many new angles of how to look at these characters and the story overall. There is so much here to endlessly enjoy.” – Rudie Obias, Shockya

“Beautifully shot.” – Will McCord, Paste Magazine

“Impeccably composed, stark visuals lending a near-apocalyptic mood that permeates every frame. Andrey Zvyagintsev taps into the rich tradition of film noir, as well as the influence and cultural echoes of such diverse Russian forebears as Dostoevsky, Chekhov and Tarkovsky.” – Christopher Bourne, Twitch

“Extraordinary... Grounded by Markina’s magnificent performance...brilliantly shot by Zvyagintsev regular Krichman, and its chill heightened by hyper, excited bursts from Glass’s score” – Howard Feinstein, Screen Daily

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